Yes - Close To The Edge -2013- -flac 24-192- Jun 2026

To understand the significance of the 2013 release, one must first appreciate the original album. Released on September 13, 1972, Close to the Edge is widely regarded as Yes's greatest masterpiece and a cornerstone of the progressive rock genre. It was a bold artistic statement from a band at the peak of its creative powers, featuring the classic lineup of Jon Anderson (vocals), Steve Howe (guitars), Chris Squire (bass), Rick Wakeman (keyboards), and Bill Bruford (drums). The album consists of just three complex, multi-part suites: the 18-minute title track, "And You and I," and "Siberian Khatru". Rolling Stone magazine has called it "probably the most fully realized album in progressive rock," capturing the band during an incredible creative peak.

To truly appreciate the scale and nuance of this masterpiece, we recommend listening to a of the album’s opening section. A short clip does not capture the full dynamic range or the precise stereo imaging of the 24/192 mix, but it provides a glimpse into the unparalleled clarity and immersive soundstage that define this release.

A dedicated Digital Audio Player (DAP) or a computer running specialized software like Foobar2000, Roon, or Audirvana.

Definitive Review: Yes – Close To The Edge (2013 Steven Wilson Mix, 24-bit/192kHz FLAC) Yes - Close To The Edge -2013- -FLAC 24-192-

The 2013 definitive edition of Yes's represents a major milestone for audiophiles, as it was the first in a series of expanded editions to feature new high-resolution mixes. While various digital versions exist, the FLAC 24-bit / 192 kHz format is specifically associated with the "Flat Transfer" of the original 1972 master tape. High-Resolution Audio Specs

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The Definitive High-Resolution Audit: Yes – Close To The Edge (2013 Steven Wilson Remix) The 2013 release of Close To The Edge To understand the significance of the 2013 release,

The 24-bit depth lowers the audio noise floor significantly. During the quietest moments of "And You and I," Jon Anderson’s acoustic guitar whispers emerge from absolute silence. When the Moog synthesizers and church organs crash in, they hit with massive impact without any digital clipping or distortion. Unprecedented Spatial Resolution

Many reviewers hailed his work as "fantastic," noting that the clarity and detail were so improved that there was no distortion during Wakeman’s organ solo, a section that had been a pain point in earlier editions. The 5.1 surround mix, in particular, was described as "pretty much perfect," enveloping the listener in a cavernous world of sound and expanding the album’s epic scope into a full-room experience. These mixes are essential for those who want to hear the album deconstructed and rebuilt from the ground up with modern studio techniques.

While the Blu-ray contains these mixes, they are often presented at 24-bit / 96kHz The album consists of just three complex, multi-part

In the world of progressive rock, few albums have had as lasting an impact as "Close to the Edge." Its combination of complex compositions, thematic depth, and Yes's characteristic blend of musicianship and accessibility has made it a favorite among fans for decades. The 2013 remaster in FLAC 24-192 format ensures that this iconic album continues to inspire and delight listeners, offering a sonic experience that does justice to the band's original vision and creativity. As a testament to Yes's enduring legacy and the evolving capabilities of audio technology, "Close to the Edge" remains a landmark album that continues to captivate audiences with its beauty, complexity, and sheer musical brilliance.

A common comparison was with the 2003 remasters, which many felt were simply "louder" rather than "better," pushing instruments to distortion. In contrast, the 2013 Wilson version was praised for preserving dynamics and providing "a lot more air, space, and depth that wasn't present in the original mix". While the new stereo mix and the 5.1 surround mix received their own praise for their immersive qualities, the flat 24/192 transfer of the holds a unique appeal: it is, for many, the closest one can get to hearing the master tape in pristine digital form without any modern processing. A Japanese review even noted the "natural texture" of this flat transfer was superior, while another audiophile on the AudioShark forums praised the flat transfer for providing a more authentic listening experience compared to the new, remixed versions.

: Available in DTS-HD Master Audio at 24-bit / 96 kHz .