Sérgio Assad's is a landmark collection written specifically for the world-renowned Brazilian guitarist and educator João Luiz Rezende Lopes . These studies represent a major modern contribution to the classical guitar repertoire, blending Assad's signature Brazilian rhythmic complexity with rigorous technical exercises. Overview & Composition
The result of this careful, intuitive process is a work of remarkable fidelity and originality. The 24 Preludios Chopinianos follow the exact key sequence of Chopin's cycle, beginning with Prelude I in C major and ending with Prelude XXIV in D minor. The set is published in four volumes by Doberman-Yppan (DO 1571, DO 1572, DO 1573, DO 1574), each containing six preludes and designed for advanced players. sergio assad 24 studies
Sérgio Assad's (also referred to as 24 Estudos or 24 Preludios Chopinianos ) is a monumental cycle of solo guitar compositions that pays homage to the pedagogical and artistic legacy of Frédéric Chopin and Heitor Villa-Lobos . Composed around 2020, these pieces serve as both technical exercises and sophisticated concert works that explore the full range of the modern classical guitar. The "Chopinianos" Cycle The 24 Preludios Chopinianos follow the exact key
Rapid positional shifts across the neck while maintaining a seamless legato. Composed around 2020, these pieces serve as both
Each study is often named in honor of a specific musical figure or style, showcasing Assad's signature blend of classical techniques and Brazilian folk influences.
By creating this "mirror," Assad has done something remarkable: he has invited guitarists into an intimate, personal dialogue with Chopin's genius, filtered through the rich harmonic and rhythmic language of a modern Brazilian master. In the process, he has given the classical guitar one of its most ambitious and beautiful works, a piece that stands as a monument to the creative possibilities that arise when one great artist pays homage to another.
represents a monumental milestone in contemporary classical guitar literature, standing as the most significant pedagogical and artistic collection of its kind since Heitor Villa-Lobos’s legendary Twelve Études . Composed in 2020 , this masterful cycle serves a dual purpose: it explicitly surveys the most critical traditional and contemporary Brazilian rhythms while paying direct homage to 24 distinct composers who shaped the identity of the instrument. Dedicated to and premiered by the world-renowned guitarist João Luiz , the collection bridges technical rigor with deep ethnomusicological history, offering classical guitarists an unparalleled roadmap to mastering South American musical idioms. The Genesis and Pedagogical Philosophy