Crucially, this medium is : it generates its own internal logic and criteria for success/failure, independent of broader artistic trends or market demands.
Krauss uses several key case studies to illustrate this reinvention: 1. James Coleman and the Slide Tape rosalind krauss reinventing the medium pdf
It is neither pure photography, cinema, nor theater. By using a commercial, semi-obsolete technology, Coleman creates a unique "technical support" that dictates how time, memory, and narrative function in his art. Robert Whitman’s Mixed-Media Performances Crucially, this medium is : it generates its
This article explores the core arguments of —often sought as a PDF for academic research—analyzing how she navigates the transition from modernist "medium specificity" to a new, recursive, "post-medium" practice. 1. The Death and Resurrection of the Medium The Death and Resurrection of the Medium :
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Krauss explicitly distinguishes her concept from digital “new media” theorists (e.g., Lev Manovich). For Manovich, new media are defined by computational properties (modularity, automation, variability). For Krauss, these are because they lack internal, convention-based constraints.
Rosalind Krauss's essay "Reinventing the Medium" offers a provocative and insightful exploration of the changing nature of artistic media. By challenging traditional notions of the medium and highlighting the dynamic and creative ways in which artists work, Krauss encourages us to think more critically about the possibilities of art and the role of the artist in shaping those possibilities.