| Name | Role | Background | |------|------|------------| | | Director, Visual Designer, Producer | A Berlin‑based collective known for kinetic video collages, glitch‑aesthetic editing, and cross‑cultural collaborations. Their previous work includes the “Silk Road 01” series, which paired Central Asian folk instruments with synth‑driven beats. | | Yasmina Khan | Vocalist, Lyricist, Cultural Consultant | Born in Kolkata to a Bengali mother and a Pakistani‑British father, Yasmina blends Rabindra Sangeet, Sufi poetry, and modern R&B. She has released two solo EPs (“Madhur” and “Echoes of the Ganges”) and is a frequent collaborator in the world‑fusion scene. | | Rohit Das | Traditional Instrumentalist | Plays dotara , bansuri and khomok (a rare Bengali percussive instrument). His involvement roots the project in authentic folk textures. | | Mira Liu | Motion‑Graphics Artist | Provides the animated “goddess” motifs that appear throughout the visual narrative. |
– In “ Silk & Circuit ,” the goddess Lakshmi adopts a non‑binary avatar, challenging rigid gender norms and emphasizing the goddess’s essence as abundance beyond binary classification .
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In the quaint town of Kolkata, nestled along the banks of the Ganges River, there lived a young woman named Yasmina Khan. She was a devotee of the Bengali goddess, Durga, and spent most of her days exploring the intricacies of her faith. Yasmina's grandmother, a respected priestess in their community, had taught her the stories and legends of their ancestors. | Name | Role | Background | |------|------|------------|
Bengali goddess worship, especially the Durga Puja spectacle, is a cornerstone of regional identity (Mookerjee, 2018). Contemporary reinterpretations—including visual art, fashion, and performance—demonstrate the fluidity of these archetypes (Sen & Ghosh, 2023).
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Jaxslayher is another key figure in this narrative, with many online platforms referencing their connection to Yasmina Khan and the Bengali goddess.
"Exploring Bengali Goddess Culture with Yasmina Khan"